SPLICE 2 DREN LEGACY MOVIE

In fact, I think the thing that I find most disturbing about this work isn’t really the science itself. VN: Oh no, I have a healthy dose of paranoia for sure.

SPLICE 2 DREN LEGACY MOVIE

This movie certainly could instill that paranoia in people, I think. You said last night, you weren’t someone who was sort of naturally paranoid of things like that. Vincenzo Natali: Yeah, he did a great job, but yeah absolutely.Ĭapone: I like your dismissal of the old-school movie monster idea of this sort of gothic laboratory in a castle versus where a creature like this might come from versus the cold, sterile lab at a corporation or a pharmaceutical company. Enjoy Vincenzo Natali…Ĭapone: So I know you talked to Quint not too long ago, and I’m going to try to ask slightly different questions than what he covered, which I think covered pretty much everything…

Hopefully, there isn't too much overlap between my interview and Quint's. So when you get to it, please enjoy my companion interview to Quint conducted a couple weeks ago, the morning after Natali and I did a great post-screening Q&A, with audiences delivering some of the best questions I've had at a Q&A in quite a while. We also go into a great deal of spoilery material, so this may be the interview you read after seeing SPLICE this weekend, which I know you all are going to do by the millions. SPLICE is an original screenplay from Natali, Antoinette Terry Bryant, and Doug Taylor, and it's a damn good movie. You are officially not allowed to complain any longer about all horror being nothing my sequels and remakes.

It's as good a theory as any other out there. It's also a movie that acknowledges that if/when monsters join us on the earth, they won't come from outer space or deep under the sea they'll came from corporate laboratories, working without any supervision or oversight. This is a movie that demands a response and a reaction. It's also deviously fun and, if you occasionally like a little brain food with your horror/monster movies, thought provoking-with an emphasis on provocation. Knowing that this interview was out there for everyone to read allowed me to talk to Natali about different, more theoretical aspect of both SPLICE and his previous works, such as the masterpiece in minimalist science fiction CUBE, CYPHER, the TIDELAND documentary GETTING GILLIAM, and the superb vampire short he made for PARIS, JE T'AIME, starring Elijah Wood and Olga Kurylenko.īut SPLICE is something altogether twisted. First off, allow me to guide you to Quint's extremely excellent and thorough interview with Detroit-born SPLICE director Vincenzo Natali from earlier this year.

Splice 2 dren legacy